When you see your nation's flag fluttering in the breeze, what do you feel?; For thousands of years flags have represented our hopes and dreams. We wave them. Burn them., March under their colours. And still, in the 21st century, we die for them. Flags fly at the UN, on the Arab street, from front porches in Texas., They represent the politics of high power as well as the politics of the mob.
The updated edition of this classic treatise on the behavior of great powers takes a penetrating look at the question likely to dominate international relations in the twenty-first century: Can China rise peacefully? In clear, eloquent prose, John Mearsheimer explains why the answer is no: a rising China will seek to dominate Asia, while the United States, determined to remain the world's sole regional hegemon, will go to great lengths to prevent that from happening.
Empires - vast states of territories and people united by force and ambition - have dominated the political landscape for more than two millennia. "Empires in World History" departs from conventional European and nation-centered perspectives to take a remarkable look at how empires relied on diversity to shape the global order. Beginning with ancient Rome and China and continuing across Asia, Europe, the Americas, and Africa, Jane Burbank and Frederick Cooper examine empires' conquests, rivalries, and strategies of domination - with an emphasis on how empires accommodated, created, and manipulated differences among populations.
'Many books on management are sanitized, cleanly technical accounts of the unreality of managerial life and work. Politics hardly feature. This book tells it like it is: it dishes the dirt, gets low-down, into the funky and fascinating politics of organizational life' - Stewart Clegg
Roger Owen has fully revised and updated his authoritative text to take into account the latest developments in the Middle East. This book continues to serve as an excellent introduction for newcomers to the modern history and politics of this fascinating region. This third edition continues to explore the emergence of individual Middle Eastern states since the fall of the Ottoman Empire at the end of the First World War and the key themes that have characterized the region since then.
Opera is traditionally regarded as an elitist art form far removed from reality by its fantastical plots and melodramatic divas. This book shows that beneath the opulent sets and sumptuous costumes, opera is very much a product of its time. Like all the great narrative arts, it draws on essential human experiences to create a form that can be endlessly reinvented to reflect a changing society.