New Silent Cinema
Examining constructions of gender, nationalism, and modernity in films produced in China and Japan in the 1920s and early 1930s, this special issue of Camera Obscura is the first collection of feminist research on Asian cinema of the silent period. Actresses emerged for the first time in the Asian public sphere in the late 1910s, making the convention of the female impersonator obsolete and giving human faces to the many social transformations of urban modernity.
With its sharp focus on stardom during the 1920s, "Idols of Modernity" reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound. Bringing together the best new work on"cinema"and stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time.
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influence, the Nazi Occupation, the glories of the New Wave, and the present, Remi Lanzoni examines a considerable number of the world's most beloved films. In French Cinema, he focuses his lens on outstanding examples from each era to give the cineaste in each of us new insight into our own favorites.
George Kleine was a New York City optician who moved to Chicago in 1893 to set up an optical store. In 1896 he branched out and began selling motion picture equipment and films. Within a few years he becameAmerica's largest film distributor and a pivotal figure in the movie business. In chronicling the career of this motion picture pioneer - including his rapid rise to fame and fortune, but also his gradual downfall after 1915 as the era of Hollywood began - Joel Frykholm provides an in-depth account of the emergence of the motion picture business in the United States and its development throughout the silent era.
New Silent Cinema