Married By America
Masterfully written by one of America's most lauded playwrights, this deeply human story unfolds in three hotel rooms in Morocco, the Virgin Islands, and Oaxaca, Mexico, as a married couple reflect on their lives as players in the game of international business. A devastating tour de force of humor, tragedy, and penetrating insight from one of America's premier playwrights, this is an LA Theatre Works performance featuring Christine Lahti and Ron Rifkin.
Description: Albert Raboteau was born into a Catholic family in Bay St. Louis, Mississippi, three months after his father was shot and killed by a white man. It was during the 1940s, when blacks couldn't swim at the same beach as whites, when the priest gave communion to white Catholics first and made others wait. In a moving account of his life, Raboteau tells how the boy grew into a man, married, became a success as a college administrator, then learned sorrow, lost his way and had to start over again.
The America many people would like to believe in is convincingly explored in this volume of poems by a writer close to the heart of things. The sanity and eloquence of these poems spring from the land in Kentucky where Wendell Berry was born, married, lives, farms, and writes. From classic pastoral themes both lyrical and reflective, to a verse play, to a dramatic narrative and the manic, entertaining, prescient ravings of Berry's Mad Farmer, these poems show a unity of language and consciousness, skill and sensitivity, that has placed Wendell Berry at the front rank of contemporary American poets.
A "heartbreakingly delicious" national bestseller about a chef, her students, and the evocative lessons that food teaches about life Once a month, eight students gather in Lillian's restaurant for a cooking class. Among them is Claire, a young woman coming to terms with her new identity as a mother; Tom, a lawyer whose life has been overturned by loss; Antonia, an Italian kitchen designer adapting to life in America; and Carl and Helen, a long-married couple whose union contains surprises the rest of the class would never suspect.
A mesmerizing debut novel by Chip Cheek, Cape May explores the social and sexual mores of 1950s America through the eyes of a newly married couple from the genteel south corrupted by sophisticated New England urbanites.
Shayna is a naive young woman who unknowingly marries a figure from the underworld. She believes the rich lifestyle she's married into is funded by her husband Simon's "legit work" in corporate America, but as their marriage progresses, clues begin to abo
Sonja Skordahl, a Norwegian immigrant, came to America looking for a new life. Instead, she settled in Door County, Wisconsin, and married Henry House-only to find herself defined by her roles as wife and mother. Destiny lands Sonja in the studio of Ned Weaver, an internationally acclaimed painter. There she becomes more than his model and more than a mere object of desire; she becomes the most inspiring muse Ned has ever known, much to the chagrin of the artist's wife.
The Clock Had Started ticking for Sadika from the day she was born into her traditional Pakistani village family. She must be married off to somebody while she is still a teenager or she will be considered a hopeless failure. Carefully planned marriages are a long tradition in Pakistan, as they are throughout the Middle East, where women have little social status and fewer individual rights and much of their value is measured by how good a marriage can be arranged for them.
"Fragile families"-unmarried parents who struggle emotionally and financially-are one of the primary targets of the Healthy Marriage Initiative, a federal policy that has funded marriage education programs in nearly every state. These programs, which encourage marriage by teaching relationship skills, are predicated on the hope that married couples can provide a more emotionally and financially stable home for their children.
Over the last century, American Jews married outside their religion at increasing rates. By closely examining the intersection of intermarriage and gender across the twentieth century, Keren R. McGinity describes the lives of Jewish women who intermarried while placing their decisions in historical context. The first comprehensive history of these intermarried women, Still Jewish is a multigenerational study combining in-depth personal interviews and an astute analysis of how interfaith relationships and intermarriage were portrayed in the mass media, advice manuals, and religious community-generated literature.