Julia Import

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On Big Sawyer island, life is as steady as the routine of the lobstermen who leave with the tide each morning and return with their haul each night. But for forty-year-old New Yorker Julia Bechtel, life and what's important in it are about to be forever altered when she survives a terrible boat accident en route to the island. Now, in the company of her aunt and daughter, Julia finds herself feeling strangely connected to the tragedy's other survivors-Noah, a divorced lobsterman, and Kim, a young woman rendered mute since her rescue-and newly outraged at the state of her marriage to a domineering man.

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"An important guide for those who seek to be both grounded and spiritually connected" (Julia Cameron, author of "The Artist's Way"), "Psychic Protection" offers practical ways to dispel the uncomfortable or hostile atmosphere that permeates difficult or unpleasant situations.

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Six years after being jilted without a word of explanation, Julia Rotherham finds Lucius Wolversley standing before her once again-unexpected, unannounced, unwelcome. With her heart still hurting and, more importantly, her pride, Julia must chaperone her

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Tough, beautiful and independent, Julia Mallet feels her life is nearly perfect. She holds a high-profile executive position in an important advertising firm. She is raising a beautiful little daughter, Emily, without the inconvenience of a husband. And she has six old and dear friends who are closer to her than family. And now "The Madison Seven" have come together once again to celebrate her thirty-fifth birthday - to eat, to drink.

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For Julia Pandl, the rite of passage into young-adulthood included mandatory service at her family's restaurant, where she watched as her father-who was also the chef-ruled with the strictness of a drill sergeant. At age twelve, Julie was initiated into the rite of the Sunday brunch, a weekly madhouse at her father's Milwaukee-based restaurant, where she and her eight older siblings before her did service in a situation of controlled chaos, learning the ropes of the family business and, more important, learning life lessons that would shape them for all the years to come.

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While renovating her family's estate, Julia Rierdon is torn between a safe relationship with her stuffy fianc and the undeniable feelings she has developed for a mysterious stranger helping her restore the mansion. Caught in circumstances that feel dark and confusing, Julia must learn to rely on God to light her path and guide her as she makes one of the most important decisions of her life.

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Julia is learning again With the help of her family and the Bible, Julia discovers God has one important rule for marriage. She learns that God wants her to marry wisely so she can have a marvelous marriage. Author Carla D'Addesi is the author of the "Ju

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The early days of photography in Britain were marked by a plethora of artistic experiments and innovations, both by professional artists and talented amateurs. But two photographers from the Victorian era stand out from the pack: Julia Margaret Cameron and Roger Fenton. Cameronâ s fancy-dress recreations of scenes from myth and history and Fentonâ s photographs from the battlefields of the Crimean War set new standards for techniqueâ and helped to establish photography as an important, independent art form.

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In Making the World Safe, historian Julia Irwin offers an insightful account of the American Red Cross, from its founding in 1881 by Clara Barton to its rise as the government's official voluntary aid agency. Equally important, Irwin shows that the story of the Red Cross is simultaneously a story of how Americans first began to see foreign aid as a key element in their relations with the world.

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In Making the World Safe, historian Julia Irwin offers an insightful account of the American Red Cross, from its founding in 1881 by Clara Barton to its rise as the government's official voluntary aid agency. Equally important, Irwin shows that the story of the Red Cross is simultaneously a story of how Americans first began to see foreign aid as a key element in their relations with the world.

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The garden at the Laskett in Herefordshire is always described as the largest formal garden laid out in Britain since the war and one of most important and interesting gardens of the second half of the twentieth century. It was made by Roy Strong and his wife, theatre designer Julia Trevelyan Oman, between 1973 and 2003. In the latter year Roy's book about the garden and how it was made ("The Laskett: the story of a garden") was published, Julia died, and Roy started to remake the garden.

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While philosophy and psychoanalysis privilege language and conceptual distinctions and mistrust the image, the philosopher and psychoanalyst Julia Kristeva recognizes the power of art and the imagination to unblock important sources of meaning. She also appreciates the process through which creative acts counteract and transform feelings of violence and depression.

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This path-breaking volume brings together major international scholars to reflect on the vital importance and relevance of the concept of abjection for the interpretation of modern and contemporary culture. This genuinely interdisciplinary collection draws on the work of Georges Bataille, Judith Butler, Julia Kristeva and other key critical thinkers to produce innovative fresh readings of works of art, film, theatre and literature.

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International Perspectives on Child Victimisation offers a comprehensive overview of the established themes and emergent debates relating to the abuse and victimization of children. Highlighting key areas of global concern, and illustrated with detailed case studies of important developments, Julia Davidson and Christopher Hamerton address child abuse, child poverty, child exploitation, child prostitution, and child imprisonment within the context of children's rights, and international legal and policy issues.

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