Martin Scorsese

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Martin Scorsese in Ten Scenes

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The screenplay for Martin Scorsese's most recent film, starring Nicolas Cage, a work of stunning power aobut a burned-out New York paramedic who is hooked on the addictive thrill-and terror-of saving lives. In this "surprisingly funny and very moving" (San Francisco Chronicle) film, based on Joe Connelly's acclaimed novel, Martin Scorsese once again explored the dark streets of New York and the desperate lives of its inhabitants that he and screenwriter Paul Schrader had first confronted in their classic film Taxi Driver.

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With an introduction by Martin Scorsese, director of the film starring Andrew Garfield and Adam Driver Beneath the light of the candle I am sitting with my hands on my knees, staring in front of me. And I keep turning over in my mind the thought that I am at the end of the earth, in a place which you do not know and which your whole lives through you will never visit.

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Martin Scorsese Box Set

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Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen".

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As far back as I can remember, I've always wanted to be a gangster."Henry Hill grew up in the midst of New York City's criminal underworld, finally achieving the coveted status of "wiseguy." But in 1980, he made the decision to exchange his knowledge for a new identity. GoodFellas, Hill's own account of crude hierarchies, casual murders, and collaboration with the Feds (as a member of the Witness Protection Program) was adapted for the screen by Martin Scorsese and Nicholas Pileggi-and is now seen as a contemporary classic.

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It may have been underrated when first broadcast, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for these seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond.

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NOW AN AWARD-WINNING MOTION PICTURE DIRECTED BY MARTIN SCORSESE, STARRING LEONARDO DICAPRIO, MATTHEW MCCONAUGHEY AND JONAH HILL. 'What separates Jordan's story from others like it, is the brutal honesty.' - Leonardo DiCaprio By day he made thousands of dollars a minute. By night he spent it as fast as he could, on drugs, sex, and international globe-trotting.

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The film-making partnership of Michael Powell and Emeric Pressburger was one of the most remarkable and visionary in cinema. They made an extraordinary range of films, from The Spy in Black, and The Life and Death of Colonel Blimp, to A Canterbury Tale, and The Red Shoes. With champions like Martin Scorsese and Francis Ford Coppola, and revived critical interest worldwide, they now find new generations of admirers.

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The acclaimed Horse Doggin and 1974 chronicled Dave Morrell s rise from rock fan to warehouse worker to Warner Bros. Records promo man, and his friendship with John Lennon. In Volume 3 of his memoirs, 45 R.P.M. (Recollections per Minute), Dave hops from the Bunny to the Nipper (RCA Records), where he works the last record of Elvis life, takes home a champagne glass from Rod Stewart after a night spent swilling bubbly with him and Britt Ekland, introduces Dolly Parton to Big Apple radio programmers and meets Robert DeNiro and Martin Scorsese on the set of Taxi Driver.

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New York City has an interesting assortment of official and unofficial nicknames. The City That Never Sleeps was first used in a 1912 article in the Fort Wayne News. New York, New York, the name of Fred Ebb s song and Martin Scorsese s 1977 film, further reinforced this association. The city never sleeps. Nor does NYPD. There s been those recent cases.

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The Year of the Blues reaches fever pitch in fall 2003 with the theatrical release (and airing on PBS) of seven documentary films, each by a noted feature director (Martin Scorsese, Wim Wenders, Charles Burnett, Mike Figgis, and Clint Eastwood among them) and the release on CD of several major new blues compilations- Peter Guralnick, celebrated for his bestselling two-volume biography of Elvis Presley, Last Train to Memphis and Careless Love, is a master of narrative who knows the world of American roots music better than any other writer- NIGHTHAWK BLUES was first published in hardcover in 1980 (Seaview Books) and subsequently in paperback (Thunder's Mouth Press).

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Roger Ebert wrote the first film review that director Martin Scorsese ever received for 1967 s I Call First, later renamed Who s That Knocking at My Door creating a lasting bond that made him one of Scorsese s most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America s most respected film critic s engagement with the works of America s greatest living director, chronicling every single feature film in Scorsese s considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light.

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Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.

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Very Good UPC Code: 883929166053 Director: Jeremy Podeswa; Martin Scorsese Genre: Drama; Crime Rating: NR (Not Rated)

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One of the factors that sometimes provides art with a richer sense of texture is its ability to draw an allusion to the classic expressions of human culture, thought, and experience. The Bible is no exception and has often been received through its incorporation into works of art?the plays of Shakespeare, the paintings of Rembrandt, the sculptures of Michelangelo, the stories of Flannery O?Connor, the films of Martin Scorsese.

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The most creative generation in American History." Martin Scorsese

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This book is a pocket history of film, covering technical developments, famous directors, actors, and films as well as genres such as Westerns, film noir etc. The book starts with the Lumiere brothers and works up to the present particularly focussing on famous directors such as Cecil B. DeMille, Eisenstein, John Ford, Alfred Hitchcock, John Cassavetes, Ingamar Bergman, Roberto Rossellini and Martin Scorsese, and specific trends in films such as women in film, the studio system, genres and the star system.

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Light is the preoccupation, vocation, and language of the GAFFER, the debut collection of poems by Celeste Gainey, the first woman gaffer to be admitted to the International Alliance of Theatrical Stage Employees (IATSE), the preeminent craft union in the motion picture industry. These poems vividly depict the gaffer s terrain from the set of Martin Scorsese sTaxi Driver, to Sidney Lumet s Dog Day Afternoon and The Wiz, to a lighting session with Lucille Ball.

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Religiose Motive in Martin Scorseses -Gangs of New York- : Paperback: Grin Publishing: 9783668325814: 25 Oct 2016

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(Book). Now in paperback! In this collection of interviews conducted between 1982 and 2004, music journalist, cultural commentator and Rolling Stone contributing editor Anthony DeCurtis conjures themes of songwriting, spirituality, making music and filmmaking out of his subjects. They include such icons as Keith Richards, Bono, Johnny Cash, Iggy Pop, Woody Allen, Eminem, Trey Anastasio, Paul McCartney, George Harrison, Bruce Springsteen, Phil Spector, Martin Scorsese, and Al Pacino.

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Good 0786863285 MJR Ships fast. Original dust jacket has rolled edges and tears. Mild reading wear. Orphans Treasure Box is a 501c3 charity raising money for orphans and adopting families.

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Hollywood in the 1970s is usually means directors such as Martin Scorsese, Steven Spielberg and Francis Ford Coppola. But, this decade was also horror's 'golden age', producing classics like Rosemary's Baby, Carrie, The Texas Chainsaw Massacre and Halloween by directors who would become famous and achieve massive box office success. Ever since, horror has been a crucial and inventive part of cinema.

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In this twentieth-anniversary millennial edition, Kolker continues and expands his inquiry into the cinematic representation of culture by updating and revising the chapters on the directors discussed in the first edition- Stanley Kubrick, Martin Scorsese, Robert Altman, and Steven Spielberg- to include their most important works since 1988, analyzing those films which have made important advances in the directors' careers and which have given cause for rethinking the films that preceded them.

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[T]his fine book. . enlarges our vision of one of the great national cinematic flowerings of the last decade. Martin Scorsese, from the forewordIn the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices.

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Hollywood Interviews brings together seven directors-Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, Tim Burton, and Joel and Ethan Coen-who together represent the leading auteurs of contemporary cinema. The interviews were all commissioned for the legendary film collective Cahiers du Cinema, the first group of critics to treat films, particularly Hollywood films, as a serious art form.

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Fascinating and provocative, this book adds a completely new dimension to our understanding of the films of Martin Scorsese." Barbara Creed, University of MelbourneMartin Scorsese is the most influential director of his generation and, with his work regularly included among the top 20 films of all time, his place in cinema history is assured. Scorsese s films have defined the cinematic essence of each decade since the 1960s and have set the standard of New Hollywood cinema.

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This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong's cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.

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Since his emergence in the early seventies, Martin Scorsese has become one of the most respected names in cinema. Classics such as Taxi Driver, Raging Bull and Goodfellas are regularly cited as being among the finest films ever made. This lavish retrospective is a fitting tribute to a remarkable director, now into his sixth decade in cinema and showing no signs of slowing up.

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No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact.

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Martin Scorsese in Ten Scenes takes an intriguing look at the life s work of one of the world s greatest filmmakers. Boiling down the Oscar-winner s career to ten indelible scenes, this beautiful, full color collection examinesScorsese s trademark techniques while offering critical analysis, filmmaking tips, and firsthand accounts from the cast and crew.

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From the early cinematic career of Frank Capra to the psychologically revealing films of Martin Scorsese, the books in this series offer an authoritative guide to the study of film and its trends by studying individual filmmakers and cinematic movements.

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From the early cinematic career of Frank Capra to the psychologically revealing films of Martin Scorsese, the books in this series offer an authoritative guide to the study of film and its trends by studying individual filmmakers and cinematic movements.

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My New York is a lavish celebration of the city by 19 celebrities who know it best and love it most. Who better to capture the sights, sounds, and attitude of the Big Apple than such hometown luminaries as Martin Scorsese, Spike Lee, Candace Bushnell, Jay McInerney, and Mario Batali? Here are all-new interviews with the artists, writers, and innovators who helped create the image of New York known round the world.

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Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson? Is [meaning] as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.

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MTV utterly changed the movies. Since music television arrived some 30 years ago, music videos have introduced filmmakers to a new creative vocabulary: speeds of events changed, and performance and mood came to dominate over traditional narrative storytelling. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson.

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Very good This item cannot be expedited. Publisher overstock or return with minor shelfwear. May have remainder mark. Carefully inspected. Leaves our warehouse same or next business day. Most continental U.S. orders lead time 4-10 days. Thank you for your busi

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This collection of new essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010)"

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A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography

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Martin Scorsese is one of the most celebrated film-makers working today in Hollywood. A five time Academy Award Nominee for Best Director, Scorsese's films consistently push the boundaries of what viewers expect to see on the silver screen. From Taxi Driver to Goodfellas to The Departed, Scorsese continually challeneges audiences with his gritty, often brutal films.

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The Word Made Flesh is an exploration of the thematic concerns and the underlying humanism and morality found in Martin Scorsese's films. It contains individual chapters on fifteen Scorsese films, the most complete Scorsese filmography available, and a host of illustrations. Generally acknowledged as one of the most important and influential directors of his generation, Scorsese has directed a wide range of films, from documentaries to musicals to comedies to dramas.

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Unlike other books on Martin Scorsese that favor the discussion of broad themes and plot summaries. Scorsese Up Close: A Study of the Films also looks at the cinematic text of the great director's films. With a scrutiny comparable to the detail Scorsese brings to the shooting and editing process, author Ben Nyce examines particular shots and sequences of shots in many of the director's works.

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'Die Mafia-Welt des Martin Scorsese' behandelt die im Mafiamilieu spielenden Filme von Martin Scorsese. Der italo-amerikanische Regisseur verarbeitete seine Kindheitserfahrungen aus dem New Yorker Stadtteil Little Italy in drei seiner insgesamt 21 Filmen. In einem kurzen geschichtlichen Abriss wird Scorseses Weg zum Regisseur sowie seine filmischen Einflüsse beschrieben.

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This collection of essays gives a critical overview of Italian American literary and cultural studies. The essays deal with notions and/or characteristics of Italian American literature and culture in a general sense, essays devoted to specific writers, and essays on filmmakers such as Francis Ford Coppola, Brian DePalma, and Martin Scorsese, who have interpreted Italian American culture in their works.

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Academy Award-winning director Martin Scorsese is one of the most significant American filmmakers in the history of cinema. Although best known for his movies about gangsters and violence, such as Mean Streets, Goodfellas, Casino, and Taxi Driver, Scorsese has addressed a much wider range of themes and topics in the four decades of his career. In The Philosophy of Martin Scorsese, an impressive cast of contributors explores the complex themes and philosophical underpinnings of Martin Scorsese's films.

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Hollywood Interviews brings together seven directors-Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, Tim Burton, and Joel and Ethan Coen-who together represent the leading auteurs of contemporary cinema. The interviews were all commissioned for the legendary film collective Cahiers du Cinema, the first group of critics to treat films, particularly Hollywood films, as a serious art form.

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This innovative analysis of period film presents a new way to examine the ways in which contemporary cinema recreates the historical past. Exploring the relationship between visual motifs and cultural representation, Figuring the Past is a selection of detailed case studies that explore three key figures the house, the tableau, and the letter. Belen Vidal proposes a new aesthetic framework for the study of period film, looking at a number of important auteurs in the genre, including James Ivory, Martin Scorsese, and Jane Campion.

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A study of Martin Scorsese's early career, from his student short films to New York, New York. As well as discussing the films in detail, they are considered in relation both to the issue of film authorship and a period of American cinema marked by crisis and change. Looking at both Scorsese's film-making and the debates surrounding film authorship, this book is also about American film making in the sixties and seventies - about, in short, authorship and context.

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A study of Martin Scorsese's early career, from his student short films to New York, New York. As well as discussing the films in detail, they are considered in relation both to the issue of film authorship and a period of American cinema marked by crisis and change. Looking at both Scorsese's film-making and the debates surrounding film authorship, this book is also about American film making in the sixties and seventies - about, in short, authorship and context.

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A Companion to Martin Scorsese is a comprehensive collection of original essays assessing the career of one of America s most prominent contemporary filmmakers. Contains contributions from prominent scholars in North America and Europe that use a variety of analytic approaches Offers fresh interpretations of some of Scorsese s most influential films, including Mean Streets, Taxi Driver, Raging Bull, Goodfellas, Gangs of New York, and Hugo Considers Scorsese's place within the history of American and world cinema; his work in relation to auteur theory; the use of popular music and various themes such as violence, ethnicity, religion, sexuality, gender, and race in his films, and more

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