Joel And Ethan Coen

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Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,0, Dresden Technical University, course: HS Outstanding Film Directors, 7 entries in the bibliography, language: English, comment: Includes analysis and story lines of Fargo and The Big Lebowski as well as a comparison, and general facts on the Coens' work, abstract: In this paper for the seminar "Outstanding Film Directors" I want to analyze two movies by Joel and Ethan Coen, namely "Fargo" (1996) and "The Big Lebowski", its successor from the year 1998.

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Brought completely up to date, this insightful biography remains "a must for any self-respecting Coen fan" (Screentrade).This fully updated edition of the first biography of the Coen Brothers includes their complete work so far, fromBlood Simple to Inside Llewyn Davis (2013), with a reassessment of their remarkable career as a whole. Joel and Ethan Coen have pulled off the ultimate balancing act.

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In 2008 No Country for Old Men won the Academy Award for Best Picture, adding to the reputation of filmmakers Joel and Ethan Coen, who were already known for pushing the boundaries of genre. They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit.

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Joel and Ethan Coen (b. 1954, 1957) started their careers in obscurity on a shoestring budget cajoled from family and friends in Minneapolis. Working entirely outside the studio system, the Coen brothers scored an unlikely first success in 1984 with their postmodern noir film Blood Simple. Two decades and nearly a dozen movies later, the Coens are now among the best-known writer/directors in Hollywood, turning out major studio releases featuring such stars as George Clooney, Catherine Zeta-Jones, and Tom Hanks.

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A postmodern analysis of the Coen brothers' approach to filmmaking

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Through close readings of films by U.S. filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also explores foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almodovar (Spain) and Stephen Chow (Hong Kong).

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ISBN 0571210961. Trade Paperback. Later Printing. Very Good Condition. Tight sound unmarked copy with minor rubs to edges and corners of covers.

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The most commercially and critically successful film of Ethan and Joel Coen, Fargo was nominated for five Academy Awards and received two, an exceptional achievement for a low budget, independently produced film. This volume explores Fargo from a variety of perspectives. Providing a detailed account of the film's production, reception and place within the career of the Coen brothers, it covers issues and themes significant to current film discourse, including genre, gender and sexuality, race, history, culture and myth.

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Through close readings of films by U.S. filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also explores foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almodovar (Spain) and Stephen Chow (Hong Kong).

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In 2008 No Country for Old Men won the Academy Award for Best Picture, adding to the reputation of filmmakers Joel and Ethan Coen, who were already known for pushing the boundaries of genre. They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit.

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Hollywood Interviews brings together seven directors-Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, Tim Burton, and Joel and Ethan Coen-who together represent the leading auteurs of contemporary cinema. The interviews were all commissioned for the legendary film collective Cahiers du Cinema, the first group of critics to treat films, particularly Hollywood films, as a serious art form.

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Fifty Contemporary Filmmakers examines the work of some of today's most popular, original and influential cinematic voices. Each entry offers both an overview and critique of its subject's career and works, looking at the genres in which they work and their relationship to other film and filmmakers. It covers figures drawn from diverse cinematic traditions from around the world and includes:*Luc Besson*James Cameron*David Lynch*John Woo*Julie Dash*Spike Lee*Joel and Ethan Coen*Martin Scorsese*Mira Nair*Wim WendersWith each entry supplemented by a filmography, references and suggestions for further reading, this is an indispensable guide for anyone interested in contemporary film.

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